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Woody Guthrie killed fascists. |
You know who hates anti-fascists?
Fascists.
With that question answered, the only remaining question is:
Which side are you on?
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US Army liberators. |
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The French resistance. |
Art Spiegelman, creator of the great graphic novel Maus, notes that the golden age of comic superheroes were shaped by the rise of fascism.
Created in New York by Jewish immigrants, the first comic book superheroes were mythic saviours who could combat the Nazi threat. They speak to the dark politics of our times
The young Jewish creators of the first superheroes conjured up mythic – almost god-like – secular saviours to deal with the threatening economic dislocations that surrounded them in the great depression and gave shape to their premonitions of impending global war. Comics allowed readers to escape into fantasy by projecting themselves on to invulnerable heroes.
Auschwitz and Hiroshima make more sense as dark comic book cataclysms than as events in our real world. In today’s all too real world, Captain America’s most nefarious villain, the Red Skull, is alive on screen and an Orange Skull haunts America. International fascism again looms large (how quickly we humans forget – study these golden age comics hard, boys and girls!) and the dislocations that have followed the global economic meltdown of 2008 helped bring us to a point where the planet itself seems likely to melt down. Armageddon seems somehow plausible and we’re all turned into helpless children scared of forces grander than we can imagine, looking for respite and answers in superheroes flying across screens in our chapel of dreams.
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